Dhamaka movie full download
The ‘villain’ at the centre of Netflix’s Dhamaka, starring Kartik Aaryan, has a very clear objective. He doesn’t want to take over the world, nor is he after fame and riches—although, it can be argued, he isn’t completely averse to the idea of some extra cash and a moment in the sun. He is, instead, motivated by revenge, but the sort that you, as a member of the audience, can get behind. Raghubeer Mhata attacks all the right people—the greedy news media, the corrupt government, the apathetic public that have collectively wronged him—and he’s here for his pound of flesh.
He is an angry man, and Dhamaka is an angry film. Too angry, some might say, considering how overeager it is to point fingers at those it wants to hold accountable for their (in) action. Exploited and forgotten by the powerful elite, Raghubeer has come to claim what he is owed. He was a part of the construction crew that helped build the Bandra-Worli Sea Link, he says. It was during that time that three of his crew members died because of glaring safety lapses. But nobody cared. Three men died, and nobody cared. Not only were the deaths swept under the rug, the story didn’t even make the news.
chor who is carrying out a punishment posting for vaguely defined misdeeds. Raghubeer tells Arjun that he has planted bombs across the city, and to prove his claim, detonates one on the Sea Link. He might be a common man, but he is playing God—Raghubeer is both the creator and the destroyer.
Dhamaka treats television news like the reality show that it is—both Raghubeer and Arjun know that they’re on TV, and both have crafted narratives for themselves in their minds. But neither realises that there is a Bigg Boss watching from above, using them as puppets for his own amusement and gain. They’re both being exploited, although very differently. It makes them two sides of the same coin, and perfect foes for a cat-and-mouse thriller.
Raghubheer has a grudge, Arjun Pathak has a grudge, but perhaps most noticeably, Kartik Aaryan has a grudge. Forever typecast as a heartthrob, the actor (and the film) leans in on Arjun’s utter lack of redeeming qualities. It’s quite interesting to note that despite experiencing so much, virtually in real-time, Arjun barely evolves as a person, and remains, until the final frames, a reactionary character. More than this efforts to live up to the requirements of several emotionally draining scenes, it is Aaryan’s willingness to be an absolute prick that is most admirable.
Dhamaka, ultimately, is a movie about a rather despicable man coming to the gradual realisation that he isn’t the hero of his own story, but rather, the villain of a larger one. He thinks only about himself; even after the first bomb goes off, his mind remains focused on how he can use the situation to his advantage. He remembers only much later that his estranged wife is on the ground, putting her life on the line as she covers the story
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